The couple that echoes each other’s energy—right down to the hair—stays in aesthetic sync. Such is the case with Miley Cyrus and Maxx Morando, who made a rare and resplendent appearance at the 2025 Tribeca Film Festival on June 6, radiating coordinated cool and textural harmony.
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Fresh off the release of her latest album, Something Beautiful, Cyrus is deep in her ’80s-laced style renaissance: a fearless fusion of Thierry Mugler-inspired opulence and downtown, guitar-slinging grit. On Friday night, the “Flowers” singer stepped into the spotlight beside her drummer boyfriend, and the message was clear—this was glam with edge, delivered in perfect sync.
Cyrus shimmered like a human disco ball in a strapless, floor-skimming column gown that caught the light from every angle—its mosaic of gold, bronze, and silver reflecting like stage lights against a mirror. It was red carpet meets rock concert, every inch of it intentional. But it was her beauty look that offered a quietly striking nod to Morando: her signature blonde, kissed with copper undertones, was styled into voluminous, side-parted curls, gently pinned back on one side—a mirrored moment of tousled elegance reminiscent of her partner’s own unruly waves.
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Paired with champagne-toned eyeshadow and a swipe of gloss, the look was less about perfection and more about presence. A sartorial love letter in curls and sequins—louder than words, and twice as glamorous.
Meanwhile, Maxx Morando proved himself a master of understated coordination, walking hand-in-hand with Cyrus in a quietly compelling mirror of her glam. His signature shoulder-length curls—loose, tousled, and finished with a full fringe—echoed her voluminous waves with effortless synergy. Clad in a tailored navy suit that struck the perfect balance between polish and nonchalance, Morando layered a crisp white shirt underneath, left artfully unbuttoned at the collar. Black leather dress shoes grounded the look, adding just enough edge to make the ensemble feel more backstage than boardroom.
Miley Cyrus closed out her Tribeca takeover with a look that felt like a cinematic finale—an elegant departure from the sheer nude fishnet dress she had worn just hours earlier at the Beacon Theatre. Stepping onto the carpet at the Something Beautiful with Miley Cyrus premiere, the “Midnight Sky” singer reemerged in a glittering tour de force: a plunging Spring/Summer 2025 Schiaparelli creation by Daniel Roseberry, awash in teardrop-shaped crystals that shimmered like liquid starlight.
The gown—a masterclass in modern couture—was constructed from a fine net base, its surface completely drenched in embellishment, and finished with a dramatic fringe hemline that cascaded from the knees to the floor in undulating movement. Layered over the dress, Cyrus wore a sweeping floor-length fringed coat in matching cream, a piece that added weight, volume, and unapologetic glamour.
She completed the monochromatic moment with sharp, pointed heels and a refined beauty look: soft champagne tones, a luminous complexion, and side-parted bombshell curls that felt equal parts Old Hollywood and Studio 54. If her earlier look whispered provocation, this one roared with couture conviction—a reminder that when Miley commits to a fashion moment, she delivers nothing short of a spectacle.
