In Tokyo, the actor leans fully into fantasy—where fashion, film, and fairytale blur into one.
There are hats—and then there are statements that feel almost celestial. This week, Anya Taylor-Joy delivered the latter, stepping out in Tokyo with a wide-brim creation so sculptural, it read less as an accessory and more as an aura.
The pièce de résistance? A pale-pink, disc-like hat from Jacquemus that framed her face with near-mythical precision—creating a halo effect that felt both theatrical and impossibly soft. It was fashion at its most transportive: a silhouette that didn’t just complement, but transformed.
The look was anchored by a coordinating suede ensemble from the label’s Fall/Winter 2026 “Le Palmier” collection—a bandeau top with a sheer mesh back paired with a high-waisted pencil skirt, finished with flirtatious pleating at the hem. The result was a study in contrast: structured yet romantic, minimal yet richly dimensional.
Accessories followed the same refined script. White stilettos from Giuseppe Zanotti lent a sharp finish, while diamonds from Tiffany & Co. added a glint of classic glamour. A berry-toned lip punctuated the softness with just enough contrast—proof that even ethereality benefits from a touch of edge.
The occasion? A Tokyo photocall for The Super Mario Galaxy Movie, where Taylor-Joy reprises her role as Princess Peach. And if this look is any indication, method dressing isn’t just alive—it’s evolving into something far more cinematic.
Because in Taylor-Joy’s world, style doesn’t simply reference a character. It becomes one
